Madhuri Dixit songs. A Guide that walks you through the decades of this actress and the songs that made India fall in love with her.
So, her iconic status in dance is evident through performances like “Ek Do Teen,” “Dhak Dhak Karne Laga,” and “Choli Ke Peeche Kya Hai.”
These dances displayed her charisma and showcased her ability to blend sensuality, emotions, and storytelling through movement.
Her collaboration with renowned choreographer Saroj Khan further elevated her performances, introducing new dance forms and bold expressions.
If you’re planning a trip to India soon, learn some of these moves to impress your Indian buddies.
“Ek Do Teen” – Tezaab (1988)
This mega-hit song is from the 1988 film “Tezaab.” I would say it’s probably the most popular song Madhuri Dixit ever performed.
Basically, the title means “One two three.”
Like many other Bollywood songs, this is a colorful and energetic dance number. It was composed by Laxmikant-Pyarelal, sung by Alka Yagnik, and choreographed by Saroj Khan.
Madhuri’s exceptional dancing skills and charisma are on display, and its celebration of youthful exuberance with catchy lyrics and a peppy tune… definitely makes it memorable.
The song’s iconic dance moves and Madhuri’s magnetic performance have made it a timeless classic in Bollywood history.
“Dhak Dhak Karne Laga” – Beta (1992)
“Dhak Dhak Karne Laga” is definitely a sensually daring song for its era in the 1990s. Madhuri Dixit’s sultry expressions, combined with Anil Kapoor’s palpable admiration, created an alluring chemistry on screen.
“Dhak dhak it began to beat” (“Dhak dhak” is the heartbeat idiom in Hindi) metaphorically describes the sensation of a racing heartbeat, symbolizing the feelings of love, attraction, and anticipation that the protagonist experiences.
The song’s lyrics, composed by Anand-Milind and sung by Anuradha Paudwal, metaphorically explore the accelerated heartbeat of desire.
Choreographer Saroj Khan’s moves, particularly the rhythmic pounding of hands on the chest, added a bold and suggestive undertone.
“Dhak Dhak Karne Laga” challenged norms, blending passion and aesthetics, setting new standards for sensuality in Indian cinema.
Prior to this, sexy songs were in the rain (watch Sridevi and Anil Kapoor in “Kahta Nahin Kat Te” song to understand what it was like), but they had Madhuri crawling on a dry floor, throwing herself in the hay, and otherwise bending the minds of the boys of the time.
The song has become such iconic that Madhuri is affectionately called the “Dhak dhak girl.”
Definitely a must on this list.
“Choli Ke Peeche Kya Hai” – Khal Nayak (1993)
“Choli Ke Peeche Kya Hai” from the film “Khal Nayak” (1993) presents a dangerously seductive scenario where a young woman held captive manages to captivate her assailants.
Plus, there is an aunty encouraging her to get that money.
In this song, Madhuri Dixit’s character, while seemingly trapped, exudes an enigmatic allure through her expressive dance moves.
The lyrics and music by Laxmikant-Pyarelal, along with Alka Yagnik and Ila Arun’s voices, add to the mystique.
Choreographed by Saroj Khan, Madhuri’s performance takes control of the situation, using her sensuality as a weapon to manipulate and enthrall her, ultimately turning the tables on those who hold her captive.
The song showcases an intriguing blend of danger and sensuality, making it a memorable cinematic moment.
Absolutely necessary for your list!
“Didi Tera Devar Deewana” – Hum Aapke Hain Koun..! (1994)
“Didi Tera Devar Deewana” portrays a lighthearted and family-friendly scenario where the hero playfully infiltrates a ladies-only gathering.
In this mischievous situation, Salman Khan’s character enters the party, and the women whimsically take charge, and they dress him up and engage in playful interactions, leading to a cheerful and amusing sequence.
The song’s lyrics and music, composed by Raamlaxman, evoke a festive atmosphere.
The hero’s willingness to participate and the women’s innocent pranks create a heartwarming and entertaining scene, making it a memorable aspect of the movie’s wholesome charm.
A great song for a non-Indian to see what fun a Hindu wedding can be!
“Mera Piya Ghar Aaya” – Yaraana (1995)
“Mera Piya Ghar Aaya” is a high-energy song featuring intricate choreography that Madhuri Dixit masterfully executes.
From the movie “Yaraana” (1995), the song’s fast-paced beats and complex dance moves demand precision and stamina, creating an electrifying performance.
Madhuri’s ability to flawlessly handle the challenging choreography while maintaining her signature grace and expression adds to the song’s allure.
With its dynamic rhythm and Madhuri’s captivating delivery, “Mera Piya Ghar Aaya” stands as a testament to her prowess in dance and entertainment.
Plus, so many amazing expressions!
I think what makes the song so interesting is that she’s lip-singing, dancing, and doing expressions—all at the same time.
As a result, simply magical.
“Chane Ke Khet Mein” – Anjaam (1994)
“Chane Ke Khet Mein” is a song that has become synonymous with the exuberant spirit of Indian weddings.
This lively and energetic track transformed the culture by popularizing the idea of spontaneous dance performances by guests, especially the bride’s friends.
So, the song’s catchy beats and peppy tune invite celebratory dancing, and it introduced the concept of choreographed group dances at weddings, inspiring real-life gatherings to adopt a more lively and choreographed approach to celebrations.
“Chane Ke Khet Mein” thus left an enduring impact, reminding us all how Bollywood music and dance influence and shape cultural norms.
Meanwhile, Madhuri’s dancing in this song is superb.
“Dola Re Dola” – Devdas (2002)
“Dola Re Dola” is a powerful showcase of girl power, portraying a unique bond between two women who love the same man.
Aishwarya Rai and Madhuri Dixit’s characters, who should be rivals, dance together in a mesmerizing display of unity and sisterhood in celebration, although the song playfully highlights their shared emotions, blending rivalry with a profound connection.
Choreographed by Saroj Khan, the dance represents the emotional complexities of their relationship, all while celebrating their strength and mutual respect.
“Dola Re Dola” stands as an iconic example of how art can depict complex emotions and strong relationships, defying traditional narratives of competition.
Meanwhile, though Aishwarya Rai does a great job, Madhuri steals the show, as always.
“Aaja Nachle” – Aaja Nachle (2007)
“Aaja Nachle” marked the triumphant return of a dance queen, Madhuri Dixit, to the silver screen after a long break during the early years of marriage.
The song is from the movie of the same name, and encapsulates her enduring grace and impeccable dance skills.
Madhuri’s comeback was met with immense anticipation, and “Aaja Nachle” delivered beyond expectations.
So, the song’s lively beats and colorful choreography, along with Madhuri’s effortless movements, showcased that her mastery of dance was still intact.
It was a reaffirmation of her status as a Bollywood icon and a celebration of her unique ability to light up the screen with her talent and charisma, proving that her artistry had not faded with time.
She honestly looked better than ever!
“Ghaghra” – Yeh Jawaani Hai Deewani (2013)
“Ghaghra” was supposed to be an item song but ended up stealing the show while simultaneously reinforcing the fact that Madhuri Dixit transcends the label of an item girl to embody the stature of a true superstar.
In this song, Madhuri’s appearance adds an unparalleled level of glamour and grace. Her performance radiates star power, underscoring that she isn’t merely an item girl but an iconic figure in Hindi cinema.
“Ghaghra” stands as a testament to her enduring legacy, proving that her presence can elevate any song and steal the spotlight, reminding us of her unparalleled star status.
Meanwhile, the song is really catchy, and the dance is awesome!
“Hamari Atariya” – Dedh Ishqiya (2014)
“Hamari Atariya” is a graceful song that perfectly aligns with the movie’s ambiance and the character it encapsulates.
The song’s gentle and emotive melody, coupled with Madhuri Dixit’s poignant performance, mirrors the subtleties of the film.
While this rendition is done by another singer, the original song reintroduces a musical genius, Begum Akhtar, to a new generation.
Madhuri’s embodiment does justice to the original feeling of the “Mallika-e-Ghazal” (Queen of the Ghazal, Begum Akhtar ji), honoring its depth while adding her own touch.
The song’s ability to evoke emotions and transport audiences into the character’s world is a testament to both Madhuri’s acting prowess and the producers’ respect for the musical heritage.
So, you truly are left with a mesmerizing vibe that only a transcendent cinematic experience can create.
“Tabaah Ho Gaye” – Kalank (2019)
“Tabaah Ho Gaye” is a mournfully beautiful song featuring intricate and captivating choreography.
“Ruin has happened” is the literal meaning, basically showing “ruined” or “destroyed,” which is exactly how the character feels.
The mother has to betray her son to save his soul. As a result, the song’s soulful melody is imbued with deep emotions, allowing the spectator to feel the sorrowful essence of the lyrics.
Madhuri Dixit’s poignant performance enhances the song’s sentiment, portraying a sense of loss and yearning.
The choreography, meticulously designed, adds a layer of visual storytelling, combining fluid movements with emotional intensity.
Meanwhile, ever since the film came out, this dance sequence has been regarded as one of the most exquisite and visually stunning presentations in Hindi cinema, evoking both sadness and admiration for its artistry.
Incredible, incredible last choreography by Saroj Khan.
“Dupatta Mera” – The Fame Game (2022)
In her debut in the streaming series “The Fame Game,” Madhuri Dixit shines in the dance number “Dupatta Mera.”
This song is a colorful performance by Madhuri, donning a red lehenga and dancing alongside background dancers.
It was as if the song was made as a celebration of her entire career because there are definitely moments when you feel like you have seen Madhuri dance that way.
You could say it was an ode to the dancing queen.
Meanwhile, the audience loves the song, and it has been viewed millions of times on YouTube and the rest of social media.
“Boom Padi” – Maja Ma (2022)
The song “Boom Padi” is from Amazon Original Movie “Maja Ma,” and it became a big hit immediately.
So, the song’s energetic beats and lively lyrics were perfectly timed for the Garba celebrations (Gujarati folk dance in Navratri).
Madhuri Dixit’s first-ever Garba performance on screen in the music video has enthralled fans, and the number gained immense popularity worldwide.
Sung by Shreya Ghoshal and Osman Mir and composed by Souumil Shringarpure and Siddharth Mahadevan, and choreographed by Kruti Mahesh, “Boom Padi” was definitely one of the best Garba songs in recent years.
Meanwhile, the song’s success let the audience not fret over the progressive theme of the film (Madhuri plays a lesbian coming out) in this otherwise traditional community of Gujaratis.
Definitely, a fun song to watch!
How to Learn the Choreography
Bollywood choreography is hard to learn due to its fusion of diverse dance forms, intricate footwork, expressive hand gestures, and rapid transitions.
Combining cultural diversity and storytelling, it demands synchronization, energy, and versatility.
So, the blend of traditional and modern elements adds complexity, making it challenging to master.
But you can do it!
To master Bollywood dance, start with observing basic movements to grasp fundamentals like footwork and hand gestures.
Consistent practice, breaking down complex routines, and focusing on expressions are crucial.
Learn from skilled instructors on YouTube, follow tutorials on Instagram, and dance along with videos.
Patience, dedication, and gradual progression yield success.
Good luck!
AJ Paris is a travel photographer based in New York. He is the editor of Caravanzers.
Follow us on Pinterest.